Review

VdR 2017. Review of “The Kodachrome Elegies” by Jay Rosenblatt

San Francisco-based filmmaker and artist Jay Rosenblatt’s latest directorial effort is an experimental short documentary, “The Kodachrome Elegies”, that evokes…

7 years ago

Review of “Edith” by Christian Cooke

"Edith", British actor Christian Cooke’s baptism of fire in terms of directing, is a visually stunning masterpiece who had its…

7 years ago

Review of “Timecode” by Juanjo Giménez

A veteran of the short format, Juanjo Giménez most certainly does not consider it as a springboard for features and…

7 years ago

ŽubrOFFka 2016. Review of “Transition” by Milica Tomović

Recently, the problems and challenges faced by trans* people have been at the center of the media and filmmakers’ attention…

7 years ago

ŽubrOFFka 2016. Review of “Lina” by Nur Casadevall

“Lina”, Nur Casadevall’s graduation film is a contemplative, moody and delicate coming of age story that premiered at this year’s…

7 years ago

ŽubrOFFka 2016. Review of “16.03” by Natalia Siwicka

Those who said “Do not leave a woman alone in her car” or “do not let a woman drive” might…

7 years ago

Review of “Thunder Road” by Jim Cummings

Jim Cummings was a producer on Patrick Wang’s “The Grief of Others” and Trey Shults’s “Kirsha” and one day, a…

7 years ago

Review of “Come Together” by Wes Anderson

No stranger to branded content (he has made dozens of TV commercials including Burberry’s Christmas ad starring Domhnall Gleeson, as…

7 years ago

Review of “The Escape” by Neill Blomkamp

In 2001, BMW produced a groundbreaking marketing series called “The Hire” starring Clive Owen as “The Driver” and directed by…

8 years ago

Oldenburg 2016. Review of “Indigo” by Jody Wilson

Canadian cinema has a new face to watch: VFX coordinator and producer Jody Wilson. Her first short film “Indigo” is…

8 years ago